Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory.[2] Film criticism is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures such as newspapers.[3] Journal articles pertaining to films served as representatives for the film critics who desired to increase the amount of communication about movies to a high degree that ascended above content that was normally featured in popular publications.[4] The critics who work in the media are normally commissionaires who affect culture, since the judgments and choices of critics have the effect of influencing what audience members perceive about objects that are supplied to them, and critics are also able to influence how the audience members choose to think about objects that are supplied to them.[5]
By the 1920s, critics were analyzing film for its merit and value, and as more than just entertainment. The growing popularity of the medium caused major newspapers to start hiring film critics.[8] In the 1930s, the film industry saw audiences grow increasingly silent as films were now accompanied by sound. However, in the late 1930s audiences became influenced by print news sources reporting on movies and criticism became largely centered around audience reactions within the theaters.[12]
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In the decades of the 1930s and the 1940s, the type of criticism pertaining to films had to overcome some difficult challenges.[13] The first difficult challenge involves how film criticism in the 1930s decade didn't have any stable foundations to reside on, and film criticism also involved critics having vocabularies that were limited.[13] During the 1930s, the jobs of critics weren't perceived to be great and critics didn't earn high wages for their work.[13] The next difficult challenge involves the fact that the industry related to film even attempted to use intimidation as a way of making movie critics cease with reviewing films.[13] In the year of 1948, a critic named Eileen Arnot Robertson was forcibly removed from her job as a critic.[13] Despite the fact that she filed a lawsuit against the film industry, the film industry said that Robertson's firing didn't occur out of maliciousness.[13] These difficult challenges led to the existences of movie critics who had respect for films, and those new film critics sought to make film criticism be a respected job.[13]
The film industry also got the chance to see that sound was able to influence how people behaved in movie theaters.[14] When people spoke or made other kinds of sounds, they would be causing disruptions that created difficulties for people to listen to the conversations that were occurring in films.[14] Audience members changed how they behaved in movie theaters, since they would shush people as a way of communicating the messages related to telling other people that they needed to be silent.[14] By keeping themselves in silence, audience members such as film critics were able to make all of their attention be on the movies that they were watching.[14]
Film critics working for newspapers, magazines, broadcast media, and online publications mainly review new releases, although they also review older films.[15] An important task for these reviews is to help readers decide whether they want to see a particular film. A film review will typically explain the premise of the film before discussing its merits or flaws. The verdict is often summarized using a rating system, such as 5- or 4-star scales, academic-style grades, and pictograms (such as those used by the San Francisco Chronicle). Film reviews are created with the purposes of making the characters, movie plots, and the directors be known in detailed descriptions to influence audience members into deciding if films need to be viewed or be ignored.[16]
Research says that there are ways in how film critics are able to write criticisms that involve critical discussions containing rationality.[17] When critics are looking for film criticisms that are factual, they must not behave with excessive optimism or be too demanding.[17] Creations and criticisms are activities that humans participate in, and these activities cannot be substituted out for an objective list of morals to be utilized.[17] Humans are restrained by the fact that criticisms cannot communicate messages for forms of artwork, and only the artworks can communicate their messages.[17] The second way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics analyzing their reasons for not liking specific movies, and critics must discover if they dislike movies for the same criteria that caused them to initially dislike specific movies.[17] That requires utilizing criticism that is analytical and thorough with detail.[17] The third way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics making blatant statements that are scientific in regards to the workings of films, and how the films are able to affect people.[17] In fact, viewers can watch films to see if they are affected by the movies in the same way that the film critics were affected by them.[17] The fourth way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics being less arrogant when they want they perceptions of films to be talked about, and critics must be aware of criticisms that have been published.[17] The critics who want to argue must base their arguments in criticisms that have been stated by other critics.[17] The fourth way in how film critics are able to write criticisms that involve critical discussions containing rationality pertains to critics moving away from the idea that artwork such as a film shall have clear meanings.[17] Instead, critics must view artwork such as films to be the results of working hard, many hours of thinking, and ideas being compromised for meanings to not be clear.[17] This research concludes that film critics must repeatedly view films as a way of studying them, if they desire to write thorough reviews on those particular films.[17] Secondly, film critics have the task of making sure that they are highly informed about the film and film critics are also responsible for initiating the discussions about the films.[17] Film critics are also responsible for knowing the creators of the films.[17] Thirdly, film critics must blatantly state their own biases and preferences without associating them with any theories.[17] Fourthly, film critics must appreciate the films that are given positive criticisms and film critics must not be ungrateful towards those films.[17] Finally, a film critic must enjoy the movies that they are criticizing.[17] In this specific regard, a film critic must also want to make their reviews persuade other people watch the movies that the film critic has criticized.[17]
Websites such as Rotten Tomatoes and Metacritic seek to improve the usefulness of film reviews by compiling them and assigning a score to each in order to gauge the general reception a film receives.[19] Another aggregator is the Movie Review Query Engine, which is a large data storage on the internet that stores interviews, reviews about movies, news, and other kinds of materials that pertain to specific films.[20] These areas of storage are not intended to help people find specific films or movie content that has aired on television, but the storages are able to help people find reliable film criticisms that can be used as readings for students.[20]
Blogs are a good example to view in relation to how the internet has grown to where social networks and live chats exist alongside websites such as YouTube where people can post their own content.[21] That is because blogging has created new ways for people to make themselves engage with cinematic movies.[21] People who engage themselves with movies choose to participate in various forms of film criticism by using video or DVD clips from YouTube that are placed alongside parts of other films for the sound effects or images from the other films to be used in criticizing the sounds or images that pertain to the YouTube clips that are being criticized.[21] Film critics are also reviewers who are amateurs on websites such as IMDb.[22] Also, many postings from amateur film critics are on IMDb.[22]
Some websites specialize in narrow aspects of film reviewing. For instance, there are sites that focus on specific content advisories for parents to judge a film's suitability for children. Others focus on a religious perspective (e.g. CAP Alert). Still others highlight more esoteric subjects such as the depiction of science in fiction films. One such example is Insultingly Stupid Movie Physics by Intuitor. Some online niche websites provide comprehensive coverage of the independent sector; usually adopting a style closer to print journalism. They tend to prohibit advertisement and offer uncompromising opinions free of any commercial interest. Their film critics normally have an academic film background.[8]
Online film criticism has provided online film critics with challenges related to journalism's purpose changing on the internet.[25] For example, critics must contend with the drawback of too many critics being online to the extent of preventing critics from writing original statements.[25] Critics can write original statements online, but there are websites that will steal their ideas and not give credit to the credit.[25] Another challenge in film criticism pertains to film critics being pressured into writing reviews that are hasty, since users of the internet will give their attention to other topics if film critics don't post movie reviews at quick paces.[25] 2ff7e9595c
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